The Loving Monster
How Sophia Coppola’s Priscilla Attempts to Capture the Black, White, and Gray of the King People contain multitudes. And though we all...
The Loving Monster
Merry Me: a sapphic romp through an ancient classic
“We Won’t Wait Another Day!” But Apparently, Intersectionality Still Has To
New Light Theatre’s “Songs for a New World”
How The Band’s Visit Made Me Remember That I Don’t Know Everything
It’s NOT For You, White Man (An Analysis of the 2020 Broadway Revival of West Side Story)
“Ragtime” at the Arden: the Double Consciousness of an Audience Member
A Reason for Revival: the lead of Marianne Elliott’s Company is…A WOMAN????
A Reason for Revival: a look at Marianne Elliott’s revival of Company
A Requiem for Once on This Island